The Picnic Lesson in Everyday Life

Due to the scarcity of educational resources in the remote and rural regions of Taiwan, Mrs. Lu lectures simultaneously in three schools in Yuli, Hualien. She discovered that most of the children are from tribal communities, and their families, who rely on farming, live in harmony with the land. As a result, their lifestyle is deeply connected to the solar terms and seasonal foods.

When teaching colors to her students, Mrs. Lu creatively incorporated food into the lessons to offer a unique perspective on colors. By rearranging the colors on the dining table, she aimed to help the students discover new meanings in their local food. Through exploring seasonal colors, the children gradually realized how food enriched their lives and even revealed their true selves.

From her experience buying flowers, Mrs. Wang noticed that most shops didn’t offer packaging that complemented the colors of the bouquets. Often, the packaging was too colorful, detracting from the flowers’ elegance. After a semester of discussing color suitability in her art and design class, Mrs. Wang assigned a task to her students: using available materials, creating packaging that properly holds and complements the flowers. The challenge for the students was to prioritize: should they choose colors that better suit the flowers or their own color preferences?

An elder from the tribe was invited to give a lecture in Mr. Liu’s class. He spoke about the young and old generations in the tribe and sadly noted a cultural gap between them. To help bridge this gap and revive tribal traditions, Mr. Liu decided to teach the students how to make tree bark clothes. This lesson aimed to deepen their understanding of their own culture.

The students learned about the different types of trees and why people made clothes from tree bark in the past. They experienced firsthand how to soften tree bark and used local materials and techniques to create items that meet contemporary needs. The lesson highlighted the tribal lifestyle and showcased the ancestors’ wisdom in utilizing natural materials for everyday life. It also encouraged the students to continue exploring new possibilities within traditional craftsmanship to pass on their aboriginal culture.

In the house where Mrs. Tsai used to live, there were no barred windows. When she moved to Hualien, she still couldn’t find the ideal window for her new home. She wondered why most of the windows on the market were similar in materials and styles, and why the traditional wood lattice windows, with their beautiful patterns and fascinating structures, had disappeared.

Determined to find the ideal window, Mrs. Tsai embarked on a journey with her students. Initially, she worried it would be too complicated for them to apply design principles to their window structures. To her surprise, after a semester of art and design courses, the students had developed the ability to observe and practice effectively. They could already use cardboard to create well-structured prototypes based on these principles.

This experience made her realize the profound impact of cultivating aesthetic sensibility through practical life experiences. She saw that the children possessed infinite potential and that life is the best arena to ignite their creative power.