The Elder’s Wish


Author Chi-Yi Liu
The Elder’s Wish

The Elder’s Wish

An elder from the tribe was invited to give a lecture in Mr. Liu’s class. He spoke about the young and old generations in the tribe and sadly noted a cultural gap between them. To help bridge this gap and revive tribal traditions, Mr. Liu decided to teach the students how to make tree bark clothes. This lesson aimed to deepen their understanding of their own culture.

 

The students learned about the different types of trees and why people made clothes from tree bark in the past. They experienced firsthand how to soften tree bark and used local materials and techniques to create items that meet contemporary needs. The lesson highlighted the tribal lifestyle and showcased the ancestors’ wisdom in utilizing natural materials for everyday life. It also encouraged the students to continue exploring new possibilities within traditional craftsmanship to pass on their aboriginal culture.

VIEW ONLINE

Previous

The Fascinating Color-Wrapping in the Flowery World

Next

Looking for the Ideal Window

Recommend

  • Looking for the Ideal Window
    • Structure
    • Gen-ed

    Looking for the Ideal Window

    In the house where Mrs. Tsai used to live, there were no barred windows. When she moved to Hualien, she still couldn’t find the ideal window for her new home. She wondered why most of the windows on the market were similar in materials and styles, and why the traditional wood lattice windows, with their beautiful patterns and fascinating structures, had disappeared.

     

    Determined to find the ideal window, Mrs. Tsai embarked on a journey with her students. Initially, she worried it would be too complicated for them to apply design principles to their window structures. To her surprise, after a semester of art and design courses, the students had developed the ability to observe and practice effectively. They could already use cardboard to create well-structured prototypes based on these principles.

     

    This experience made her realize the profound impact of cultivating aesthetic sensibility through practical life experiences. She saw that the children possessed infinite potential and that life is the best arena to ignite their creative power.

  • The Taste of Colors
    • Colors
    • Gen-ed

    The Taste of Colors

    Due to the scarcity of educational resources in the remote and rural regions of Taiwan, Mrs. Lu lectures simultaneously in three schools in Yuli, Hualien. She discovered that most of the children are from tribal communities, and their families, who rely on farming, live in harmony with the land. As a result, their lifestyle is deeply connected to the solar terms and seasonal foods.

     

    When teaching colors to her students, Mrs. Lu creatively incorporated food into the lessons to offer a unique perspective on colors. By rearranging the colors on the dining table, she aimed to help the students discover new meanings in their local food. Through exploring seasonal colors, the children gradually realized how food enriched their lives and even revealed their true selves.

  • Small Board Games, Big Dreams
    • Colors
    • Gen-ed

    Small Board Games, Big Dreams

    The art and design course at Yu-Shan Public Junior High School evolved from the school’s curriculum, which included climbing Mt. Jade, Taiwan’s highest mountain, on various routes corresponding to different grades. Mr. Chang aimed to foster aesthetic sensibility in the students through these life experiences. To achieve this goal, he encouraged the students to design a board game inspired by their mountain journeys.

     

    With enthusiastic participation and strong teamwork, the students effectively applied design principles and successfully created their own imaginative and unique board games.

  • Operation Reading Corner
    • Proportions
    • Gen-ed

    Operation Reading Corner

    At Chu-Jen Junior High School, every class has had its own reading corner for years. However, not every class managed to design a reading corner that met all students’ expectations. With a limited budget and most three-tiered shelves on the market being standardized, their options were restricted.

     

    Mrs. Hsu came up with a solution. She introduced the concepts of proportion and positive/negative space to the class, asking the students to use these principles to design shelves that were both functional and decorative. The results exceeded Mrs. Hsu’s expectations. The students’ design drafts displayed remarkable creativity and diversity. Eventually, the students and Mrs. Hsu brought one of the drafts to life, successfully creating their own bookshelves.