If Memory Has Colors

The art and design course at Yu-Shan Public Junior High School evolved from the school’s curriculum, which included climbing Mt. Jade, Taiwan’s highest mountain, on various routes corresponding to different grades. Mr. Chang aimed to foster aesthetic sensibility in the students through these life experiences. To achieve this goal, he encouraged the students to design a board game inspired by their mountain journeys.

With enthusiastic participation and strong teamwork, the students effectively applied design principles and successfully created their own imaginative and unique board games.

Mrs. Lin had been teaching at Hsiyu Junior High School for over a year. Initially, the students lacked confidence in art class because the school had not had a regular art teacher, and they had received little art training before. However, to her surprise, Mrs. Lin discovered that the children, who live on Penghu Island and possess extensive knowledge of the oceans, were adept at distinguishing the colors in their everyday surroundings.

By identifying and mixing paint colors and relating them to their personal memories, the students captured the dynamic landscapes and poetic moments of the island. In the color charts they created, the deep connection between them and their hometown was vividly displayed. For the children preparing to leave the island, the lesson was a precious gift from Mrs. Lin, who was also born in Penghu. She hoped that when they are apart, reminiscing about the colors would help them remember their beautiful hometown.

“Aesthetics should spread naturally like particles in the air.” The art classroom at National Hsinchu Senior High School was the perfect place for teachers and students to immerse themselves in art and design. Mrs. Wu envisioned this space as a hub to stimulate the diffusion of art and design throughout the school.

Inspired by this idea, a group of students began exploring the campus to identify areas for improvement. They identified issues such as the unsuitable fabrics and cuts of their uniforms and the confusing signs in the store. Bringing their findings back to the art classroom, the students brainstormed solutions. They then set out to implement changes, aiming to spread aesthetic appreciation beyond the classroom to other parts of the school.

In the house where Mrs. Tsai used to live, there were no barred windows. When she moved to Hualien, she still couldn’t find the ideal window for her new home. She wondered why most of the windows on the market were similar in materials and styles, and why the traditional wood lattice windows, with their beautiful patterns and fascinating structures, had disappeared.

Determined to find the ideal window, Mrs. Tsai embarked on a journey with her students. Initially, she worried it would be too complicated for them to apply design principles to their window structures. To her surprise, after a semester of art and design courses, the students had developed the ability to observe and practice effectively. They could already use cardboard to create well-structured prototypes based on these principles.

This experience made her realize the profound impact of cultivating aesthetic sensibility through practical life experiences. She saw that the children possessed infinite potential and that life is the best arena to ignite their creative power.