Expanding the Aesthetic of Spaces

Mrs. Lin had lectured at Hsiyu Junior High School for over a year. At first, the student showed less confidence in the art class because there hadn’t been a regular art teacher in the school, and they hadn’t received much art training before. But to her surprise, Mrs. Lin discovered the children, living on the Penghu island and endowed with great knowledge of oceans, were keen to distinguish the colors in their everyday scenery. By identifying the colors, mixing colors of paints, and relating the color to their personal memories, the students depicted the flexible sceneries and the poetic moments of this island. In the color charts they drew, the intimate bond between them and their hometown was also vividly shown. For the children who were about to leave the island, the lesson was a precious gift from Mrs. Lin, who was born in Penghu as well. She wished when they are apart, by reminiscing about the colors, they can remember their beautiful hometown.

An elder from the tribe was invited to give a lecture in Mr. Liu’s class. When he talked about the young and old generations in the tribe, he was sad to tell that there had been a cultural gap between the two. Mr. Liu thus decided to revive the tribal tradition of making tree bark clothes, helping the students to understand their own culture. The lesson led the kids to learn the knowledge of trees and understand why people needed to make tree bark clothes in the old times. They practically experienced how to soften tree bark, and used the local materials and techniques to make items that can fit contemporary needs. To pass on the aboriginal culture, the lesson revealed the lifestyle of the tribes and presented the wisdom of ancestors taking good advantage of natural materials from daily life. And it also encouraged the kids to keep discovering new possibilities within traditional craftsmanship.

There wasn’t any barred window in the house where Mrs. Tsai used to live. When she moved to Hualien, Mrs. Tsai still couldn’t find an ideal window for her own house. She wondered why most of the windows on the market are with similar materials and styles. Why did the traditional wood lattice windows, which are with beautiful patterns and fascinating structures, disappear? Therefore, she embarked on a journey of finding the ideal window with the students. At first, Mrs. Tsai worried it would be too complicated for them to apply the design principles to their design of the structure. To her surprise, after a semester of art and design courses, the students had developed the competence to observe and practice. They already could use cardboard to create a well-structured prototype with the principles. It made her believe that cultivating aesthetic sensibility through practices in life was profound. The children were endowed with infinite potential, and life is the best field to trigger their creative power.

In Chu-Jen Junior High School, every class has set up its own reading corners in the classroom for years. However, not every class could design a satisfied reading corner that met all expectations of the students. Because they only had a little budget, and most of the three-tiered shelves on the market were standardized, their options were limited. Mrs. Hsu, therefore, came up with an idea. Introducing the concepts of proportion and positive/negative space to the class, she asked the students to use them to design shelves both for functional and decorative purposes. The outcome of the kids was out of Mrs. Hsu’s expectations. Their design drafts showed their creativity and diversity. At last, the students and the teacher even brought one of the drafts into reality and finally made their own bookshelves.